Showing posts with label b-lines. Show all posts
Showing posts with label b-lines. Show all posts

Monday, December 23, 2013

Best Shows of the Year: The Courtneys at the Biltmore Cabaret, August 17

I love the Courtneys, but as much as it hurts admitting it, they sound shitty almost every time I see them. Not on August 17 though. They couldn't have been more bang-on. Moreover, the show contained some of my favourite concert moments of the year: Nü Sensae drummer Daniel Pitout guested on the skins for one song and pounded out the most intense version of "90210" I've heard; I didn't know the song could sound so good that fast. Even Courtneys drummer/singer Jenn Twynn Payne shouted, "Too fast!!" with a laugh. The giggles continued when, during the same song, Hockey Dad Records founder and B-Lines singer Ryan Dyck paraded Payne around the Biltmore on his high shoulders, nearly smashing her head into the ceiling several times. Yet Jenn sang on. Trooper.

Speaking of Pitout, I have to note that he claimed yet another one of my top concert moments this year when he marched onstage during B-Lines, mic in hand, and launched into a SCORCHING version of "Busy Man".

The Courtneys FEAT. Daniel Pitout - 90210 at the Biltmore from The Courtneys on Vimeo.

Friday, December 20, 2013

Best Shows of 2013: B-Lines, June 15

Photo credit: Sylvana d'Angelo

Ryan Dyck, boss at Hockey Dad Records and one of the best, most commanding frontmen I've seen. Definitely my favourite local band live, and the "competition" is stiff. Snappy, breakneck punk. Consult a chiropractor. And maybe a psychiatrist.

Snippet from my Vancouver Weekly review:


If there was ever a time for me to see B-Lines, this was it. The B-Lines as I knew them were to be no more, as Nominal Records' showcase marked bassist Adam Fothergill's final show with the band.

When your life revolves around music – whether you play it, write about it, read about it or anything else – it's easy to become difficult to impress. I've become a tougher sell over the years, but B-Lines reaffirmed everything I ever loved about music in general, specifically seeing live music. Just try to pin back the grin on my face as I watched the "everyday Joe" Ryan Dyck who took my money, stamped my wrist and chatted briefly with me at the door proceed to leave his body, and let a manic, possessed surrogate take over the stage. Ryan spun; he writhed; he squirmed; he kicked; he fell to the floor and pounded the stage so hard, you could hear the full *thud* over the band's high-speed thrash. I'd never witnessed such an instant, dramatic metamorphosis. His tall, lanky, tapeworm-like frame whipped and twirled with the mic cord so that I couldn't tell where one ended and the other began.

With a glassy look in his eyes that stared hollowly into nothing in particular, Dyck yelped anxiety-ridden lyrics about social disconnect ("Social Retard", "Houseplants") and impending world destruction ("World War Four"). "I just wanna feel normal again," the chorus went on "Normal Again". Unless Dyck and company conform to the mould and abandon everything that makes them so electrifying and unique, he may never feel normal again. Certainly, after having seen B-Lines, I will never feel normal again. But I can live with that.

A word of warning: If you're seeing B-Lines, be prepared to be rained on as Ryan Dyck aimlessly launches wads of spit into the air. Although, I hear you'll be lucky if that's all that happens to you.

Friday, August 23, 2013

The Courtneys Feat. Daniel Pitout (Nü Sensae) and Ryan Dyck - "90210"

The sound quality in this video is shit, but after having seen Nü Sensae's Daniel Pitout drum on the Courtneys' "90210", I will never listen to this song the same way again. Can Daniel play on all of the Courtneys songs from now on? And B-Lines'/Hockey Dad Records' Ryan Dyck almost dumping JTP on her head and smashing her against the ceiling - best Courtneys show I've ever seen no question:

The Courtneys FEAT. Daniel Pitout - 90210 at the Biltmore from The Courtneys on Vimeo.

Monday, June 24, 2013

B-Lines - "In the Red"

I still get this one stuck in my head:

Sunday, June 23, 2013

B-Lines - "Social Retard"

Don't be offended if I don't say hi:


Ever Get Depressed After Seeing a Band?

Because you know there will be no higher for a long time to come? This is a cheerier spin on my previous thought about B-Lines. This video doesn't convey a tenth of it. But you get an idea: